After attending a symposium about the German philosopher Kant, I became fascinated by his theories on art, ways of seeing, interior and exterior mapping of the mind.

Although intrigued by his theories, I also found myself transfixed by the physicality of his words; specifically the edges of the pages of his ‘Critique of Judgment’ manifested as parallel marks made by the photocopied handouts

I introduced these marks to my mapping process; collage, camera lens and software.

Two and a half centuries later his thoughts have informed both perception and representation by becoming part of my visual outcomes.